They only released one single, Cough/Cool, which stands out in comparison to all their other work due to the use of an electric piano instead of guitar, which gives their debut single a very haunting, almost Doors-esque feel to it. Glenn Danzig, along with bassist Jerry Only and drummer Manny Martinez, form the very first incarnation of The Misfits. These five releases represent the meat of the Misfits.Lodi, New Jersey. But the meat of this duo is all the early singles and EPs presented in one place: The entirety of the Horror Business and Beware EPs, the debut 45 “Cough/Cool” (albeit with only the original drums used and Danzig replacing the electric piano with his electric guitar and additional drum machine) and even the cover of Allan Sherman’s “Rat Fink” used on the Night Of The Living Dead EP. ‘s entirety, for all intents and purposes, is reprised across these two discs, alongside select Walk Among Us highlights on Collection 1. Do you need these two comps? After all, Earth A.D. features some of Danzig’s best compositions, including a studio version of “Mommy, Can I Go Out And Kill Tonight?,” the more mid-tempo “Die, Die My Darling” (at least on reissues) and “Green Hell,” as later covered by Metallica. The Mad Marc Rude cover art looks like Rudimentary Peni‘s Nick Blinko doing one of his schizophrenic speed doodles for EC Comics.
Read more: AFI revisit ‘All Hallow’s EP’ as picture disc is reissued in time for Halloween Black Flag’s Damaged -era drummer Robo slams the skins, and classic SST Records producer Spot mans the tape deck and mixing board.
The result is a massive wash of stereo distortion crashing down on Danzig’s howling head. Doyle lays down masses of guitar overdubs, overdriving a chorus unit on each one. Only’s bass tone resembles a cement mixer. Every single track breaks the land-speed record and sets new ones. Also titled Wolfs Blood, this is fully the Misfits’ hardcore record. When finally issued in its complete form in 1996, Static Age was a revelation, a wholly realized work that had many wondering why it took so long to see the day’s light. Though the horror/trash themes aren’t quite fully established, they grip much of this material. The corrosive guitar sound that became the Misfits’ trademark is firmly in place. Kennedy assassination riff “Bullet,” “We Are 138,” “Attitude” and “Hollywood Babylon” were cannibalized for the “Bullet” single and the later Beware EP, alongside a remixed “Last Caress.” “Teenagers From Mars” would be recut for the “Horror Business” 45, and several other tracks would get reworked for the Legacy Of Brutality odds-and-sods collection. Jim left during a Canadian tour and the planned full-length album was scrapped. Read more: Which iconic punk mascot are you? The label issued Pere Ubu records under the name Danzig used to release the Misfits’ debut “Cough/Cool” 45, Blank Records. The 17 raw, crude tracks were byproducts of recording time awarded in a legal settlement with a Mercury Records subsidiary.
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“We’re all blue from projection tubes!” Danzig snarls from the title track, one of many bits of self-criticism involving the saturation TV viewing the band-Danzig, Only, guitarist Franché Coma and drummer Mr. It also has more whoa-whoa choruses per square inch than your average Buzzcocks single. This is certainly the best recorded and produced of the early Misfits records, with some of Danzig’s catchiest, strongest songs (“Hate Breeders,” “I Turned Into A Martian,” “Astro Zombies”). Light speed tempos had yet to take a grip on the band, save for exceptions such as “All Hell Breaks Loose.” Hence, this mostly hews to fairly Ramonic time signatures. It was also the third attempt at a Misfits full-length after 1978’s Static Age and 1980’s 12 Hits From Hell. Having been issued by Slash Records subsidiary Ruby, it gained broader distribution than previous releases from the band’s in-house Plan 9 Records. Honestly? This is the LP from where much of the legend derives.
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Read more: Misfits upgrade Kit Kat-inspired Kill Kat figure to “king-sized” The essential Misfits canon can be summarized in five LPs. But the total package aspects of the band-look, stage show, graphic presentation-were surely noticed by ’00s garage acts such as the White Stripes and the Hives.įor listeners that may have seen the iconic band logo, but not heard the glorious music, we’ve got you.
was surely the record that had everyone from Metallicato Norwegian death metallers proclaiming the Misfits to be an influence. The thrash-o-holic ’corefest that was Earth A.D.
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